The Red Man's Bones: George Catlin, Artist and Showman
Benita Eisler
George Catlin has been called the "first artist of the West," as none before him lived among and painted the Native American tribes of the Northern Plains. Catlin found his calling: to fix the image of a "vanishing race" before their "extermination"--his word. In the first six years of the 1830s, he created over six hundred portraits--unforgettable likenesses of individual chiefs, warriors, braves, squaws, and children belonging to more than thirty tribes living along the upper Missouri River. Political forces thwarted Catlin's ambition to sell what he called his "Indian Gallery" as a national collection, and in 1840 the artist began three decades of self-imposed exile abroad. For a time, he was the most celebrated American expatriate in London and Paris. But when he started to tour "live" troupes of Ojibwa and Iowa, his fortunes declined: he changed from artist to showman, and from advocate to exploiter. Tragedy and loss engulfed them. This humane portrait brings Catlin and his Indian subjects to life for our own time.--From publisher description.
Award History
0 wins · 1 total
| Award | Year | Result | Category / Notes |
|---|---|---|---|
| Los Angeles Times Book Prize for BiographyMajor | 2013 | Finalist | Secondary source |
Experimental book profileGenerated by GPT-5.4 nano · may contain inaccuracies
This is an unverified interpretation of the catalog description, offered as an opt-in discovery experiment—not as bibliographic fact.
01 Central figures
- George Catlin92%
02 Central places
None extracted with sufficient confidence.
These suggestions did not meet the normal display threshold and are more likely to be wrong.
- London55%
- Paris55%
03 Suggested argument
Catlin’s career evolved from an advocate who painted Northern Plains Native Americans into a showman who toured “live” troupes, and political forces contributed to that shift and his later exploitation and decline.
Model confidence 62%
04 Reading orientation
35 / 100 academicSerious trade
An estimate of intended readership and scholarly apparatus—not quality or importance.
Confidence percentages are the model's own estimates. Profile confidence: 78%.