Under Another Sky: Journeys in Roman Britain

Charlotte Higgins

Shortlisted for the 2013 Samuel Johnson Prize, the Thwaites Wainwright Prize and the 2014 Dolman Travel Book Award This is a book about the encounter with Roman Britain: about what the idea of 'Roman Britain' has meant to those who came after Britain's 400-year stint as province of Rome - from the medieval mythographer-historian Geoffrey of Monmouth to Edward Elgar and W.H. Auden. What does Roman Britain mean to us now? How were its physical remains rediscovered and made sense of? How has it been reimagined, in story and song and verse? Charlotte Higgins has traced these tales by setting out to discover the remains of Roman Britain for herself, sometimes on foot, sometimes in a splendid, though not particularly reliable, VW camper van. Via accounts of some of Britain's most intriguing, and often unjustly overlooked ancient monuments, Under Another Sky invites us to see the British landscape, and British history, in an entirely fresh way: as indelibly marked by how the Romans first imagined, and wrote, these strange and exotic islands, perched on the edge of the known world, into existence.

HistoryWorld History · medium confidenceWorld History81 signalsLlm Classifier: World History -> World HistoryGoogle Books: History -> HistoryKeyword Classifier: Arts & Criticism -> Arts & CriticismTravel, Exploration & Place
Experimental book profileGenerated by GPT-5.4 nano · may contain inaccuracies

This is an unverified interpretation of the catalog description, offered as an opt-in discovery experiment—not as bibliographic fact.

  1. 01 Central figures

    None extracted with sufficient confidence.

  2. 02 Central places

    • Roman Britain78%
    Show lower-confidence suggestions

    These suggestions did not meet the normal display threshold and are more likely to be wrong.

    • Britain40%
  3. 03 Suggested argument

    No argument inferred with sufficient confidence.

  4. 04 Reading orientation

    35 / 100 academic

    Serious trade

    An estimate of intended readership and scholarly apparatus—not quality or importance.

Confidence percentages are the model's own estimates. Profile confidence: 72%.