Sounds Wild and Broken: Sonic Marvels, Evolution's Creativity, and the Crisis of Sensory Extinction
David George Haskell
An awe-inspiring exploration of the sounds of the living Earth, and the joys and threats of human music, language and noise. 'A symphony, filled with the music of life . . . fascinating, heartbreaking, and beautifully written.' ELIZABETH KOLBERT, author of The Sixth Extinction 'Sounds Wild and Broken affirms Haskell as a laureate for the earth, his finely tuned scientific observations made more potent by his deep love for the wild he hopes to save.' NEW YORK TIMES 'Wonderful . . . a reminder that the narrow aural spectrum on which most of us operate, and the ways in which human life is led, blocks out the planet's great, orchestral richness.' GUARDIAN We live on a planet alive with song, music, and speech. David George Haskell explores how these wonders came to be. In rainforests shimmering with insect sounds and swamps pulsing with frog calls we learn about evolution's creative powers. From birds in the Rocky Mountains and on the streets of Paris, we discover how animals learn their songs and adapt to new environments. Below the waves, we hear our kinship to beings as different as snapping shrimp, toadfish, and whales. In the startlingly divergent sonic vibes of the animals of different continents, we experience the legacies of plate tectonics, the deep history of animals and their movements around the world, and the quirks of aesthetic evolution.
Award History
0 wins · 2 total
| Award | Year | Result | Category / Notes |
|---|---|---|---|
| Pulitzer Prize in General NonfictionMajor | 2023 | Finalist | Secondary source |
| PEN/E.O. Wilson Literary Science Writing Award | 2023 | Finalist | Secondary source |
Experimental book profileGenerated by GPT-5.4 nano · may contain inaccuracies
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01 Central figures
None extracted with sufficient confidence.
02 Central places
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03 Suggested argument
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04 Reading orientation
48 / 100 academicTrade / academic crossover
An estimate of intended readership and scholarly apparatus—not quality or importance.
Confidence percentages are the model's own estimates. Profile confidence: 78%.