Seduced by Story: The Use and Abuse of Narrative

Peter Brooks

In this spiritual sequel to his influential Reading for the Plot, Peter Brooks examines the dangerously alluring power of storytelling. “There’s nothing in the world more powerful than a good story. Nothing can stop it. Nothing can defeat it.” So begins the scholar and literary critic Peter Brooks’s reckoning with today’s flourishing cult of story. Forty years after publishing his seminal work Reading for the Plot, his important contribution to what came to be known as the “narrative turn” in contemporary criticism and philosophy, Brooks returns to question the unquestioning fashion in which story is now embraced as an excuse or explanation and the fact that every brand or politician comes equipped with one. In a discussion that ranges from The Girl on the Train to legal argument, Brooks reminds us that among the powers of narrative is the power to deceive.

Arts & CriticismArts & Criticism · high confidenceArts & Criticism81 signalsLlm Classifier: Arts & Criticism -> Arts & CriticismGoogle Books: Language Arts & Disciplines -> Arts & CriticismKeyword Classifier: Arts & Criticism -> Arts & CriticismLiterature & WritersArt, Music & Performance
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This is an unverified interpretation of the catalog description, offered as an opt-in discovery experiment—not as bibliographic fact.

  1. 01 Central figures

    None extracted with sufficient confidence.

  2. 02 Central places

    None extracted with sufficient confidence.

  3. 03 Suggested argument

    Narrative’s “dangerously alluring” power enables deception, so contemporary fashion in story—used as excuse or explanation—should be questioned rather than embraced uncritically.

    Model confidence 72%

  4. 04 Reading orientation

    55 / 100 academic

    Trade / academic crossover

    An estimate of intended readership and scholarly apparatus—not quality or importance.

Confidence percentages are the model's own estimates. Profile confidence: 78%.