Roll, Jordan, Roll: The World the Slaves Made

Eugene D. Genovese

This landmark history of slavery in the South -- a winner of the Bancroft Prize -- challenged conventional views of slaves by illuminating the many forms of resistance to dehumanization that developed in slave society. Rather than emphasizing the cruelty and degradation of slavery, historian Eugene Genovese investigates the ways that slaves forced their owners to acknowledge their humanity through culture, music, and religion. Not merely passive victims, the slaves in this account actively engaged with the paternalism of slaveholding culture in ways that supported their self-respect and aspirations for freedom. Roll, Jordan, Roll covers a vast range of subjects, from slave weddings and funerals, to the language, food, clothing, and labor of slaves, and places particular emphasis on religion as both a major battleground for psychological control and a paradoxical source of spiritual strength. Displaying keen insight into the minds of both slaves and slaveholders, Roll, Jordan, Roll is a testament to the power of the human spirit under conditions of extreme oppression. - Publisher.

HistoryAmerican History · medium confidenceAmerican History81 signalsLlm Classifier: American History -> American HistoryOpen Library: African Americans -> Race & EthnicityOpen Library: Christianity and culture -- United States -> ReligionAfrica & the African DiasporaMiddle East & North AfricaMigration & Diaspora
Experimental book profileGenerated by GPT-5.4 nano · may contain inaccuracies

This is an unverified interpretation of the catalog description, offered as an opt-in discovery experiment—not as bibliographic fact.

  1. 01 Central figures

    None extracted with sufficient confidence.

  2. 02 Central places

    None extracted with sufficient confidence.

  3. 03 Suggested argument

    No argument inferred with sufficient confidence.

    This suggestion did not meet the normal display threshold and is more likely to be wrong.

    Slaves in the South were not merely passive victims; through culture, music, religion, and engagement with slaveholding paternalism, they forced owners to acknowledge their humanity while sustaining aspirations for freedom.

    Model confidence 58%

  4. 04 Reading orientation

    55 / 100 academic

    Trade / academic crossover

    An estimate of intended readership and scholarly apparatus—not quality or importance.

Confidence percentages are the model's own estimates. Profile confidence: 46%.