Memory & Narrative: The Weave of Life-Writing
James Olney
"At a time when the memoir has never been more popular, Memory and Narrative presents an account of how the weave of life-writing has altered over time to arrive at its present form. James Olney, tells the story of an evolving literary form that originated in the autobiographical writings of St. Augustine, underwent profound and disruptive changes in Jean-Jacques Rousseau's life-writing trilogy, and found its momentary conclusion in the body of Samuel Beckett's work." "Among other issues, Olney considers the rejection of the pronoun "I" by many post-Rousseau writers; the uses of narrative in the works of Beckett, Franz Kafka, and the sculptor Alberto Giacometti, and the role of literary memory in light of recent "memory work" from a variety of scientific disciplines. Giambattista Vico, Henry Adams, Gertrude Stein, Richard Wright, and Christa Wolf are some of the many writers examined in this monumental study." --Book Jacket.
Award History
1 wins · 1 total
| Award | Year | Result | Category / Notes |
|---|---|---|---|
| Phi Beta Kappa Book Awards: Christian Gauss Award | 1999 | Winner | Official source |
Experimental book profileGenerated by GPT-5.4 nano · may contain inaccuracies
This is an unverified interpretation of the catalog description, offered as an opt-in discovery experiment—not as bibliographic fact. Automated checks have flagged this profile for extra review.
01 Central figures
- James Olney82%
Show lower-confidence suggestions
These suggestions did not meet the normal display threshold and are more likely to be wrong.
- St. Augustine55%
- Jean-Jacques Rousseau52%
02 Central places
None extracted with sufficient confidence.
03 Suggested argument
Life-writing has evolved from autobiographical origins to a present form through disruptive changes, and its development is shaped by narrative choices, memory, and post-Rousseau rejections of the pronoun “I.”
Model confidence 62%
04 Reading orientation
68 / 100 academicAcademic
An estimate of intended readership and scholarly apparatus—not quality or importance.
Confidence percentages are the model's own estimates. Profile confidence: 66%.