Looking for The Stranger: Albert Camus and the Life of a Literary Classic
Alice Kaplan
A New York Times Notable Book. A literary exploration that is "surely destined to become the quintessential companion to Camus's most enduring novel" ( PopMatters). The Stranger is a rite of passage for readers around the world. Since its publication in France in 1942, Camus's novel has been translated into sixty languages and sold more than six million copies. It's the rare novel that's as likely to be found in a teen's backpack as in a graduate philosophy seminar. If the twentieth century produced a novel that could be called ubiquitous, The Stranger is it. How did a young man in his twenties who had never written a novel turn out a masterpiece that still grips readers more than seventy years later? With Looking for The Stranger, Alice Kaplan tells that story. In the process, she reveals Camus' achievement to have been even more impressive—and more unlikely—than even his most devoted readers knew. "To this new project, Kaplan brings equally honed skills as a historian, literary critic, and biographer . . . Reading The Stranger is a bracing but somewhat bloodless experience. Ms. Kaplan has hung warm flesh on its steely bones." — The New York Times "For American readers, few French novels are better known, and few scholars are better qualified than Kaplan to reintroduce us to it . . .
Award History
0 wins · 1 total
| Award | Year | Result | Category / Notes |
|---|---|---|---|
| National Book Critics Circle Award for CriticismMajor | 2016 | Finalist | Secondary source |
Experimental book profileGenerated by GPT-5.4 nano · may contain inaccuracies
This is an unverified interpretation of the catalog description, offered as an opt-in discovery experiment—not as bibliographic fact.
01 Central figures
- Albert Camus92%
02 Central places
None extracted with sufficient confidence.
03 Suggested argument
No argument inferred with sufficient confidence.
04 Reading orientation
55 / 100 academicTrade / academic crossover
An estimate of intended readership and scholarly apparatus—not quality or importance.
Confidence percentages are the model's own estimates. Profile confidence: 78%.