Exophony: Voyages Outside the Mother Tongue

Yoko Tawada

'Tawada's strange, exquisite book toys with ideas of language, identity and what it means to own someone else's story or one's own' The New Yorker on Tawada's Memoirs of a Polar Bear Are you formed by your mother tongue? How might the world unfold if you stepped outside of its rhythms? In this playful and daring interrogation of language, the globally acclaimed Yoko Tawada reveals the poetics, politics and potential of existing outside one's mother tongue. From Senegalese writers discarding colonial-enforced French to the increasing use of loan words in her native Japanese, Tawada deconstructs the ways in which the world shapes and is shaped by languages: their hidden systems of power, their sweeping histories and, ultimately, the people who claim, reject, adapt or romanticise them. Exophony is an invitation to revel in the possibilities that emerge when we dare to seek beyond the familiar - and a sharp, incisive series of essays in which Tawada's erudite wit and multidimensional curiosity sing.

Arts & CriticismArts & Criticism · medium confidenceArts & Criticism81 signalsLlm Classifier: Arts & Criticism -> Arts & CriticismKeyword Classifier: Arts & Criticism -> Arts & CriticismTopic Classifier: Literature & Writers -> Arts & CriticismLiterature & WritersArt, Music & PerformanceIntellectual History & Ideas
Experimental book profileGenerated by GPT-5.4 nano · may contain inaccuracies

This is an unverified interpretation of the catalog description, offered as an opt-in discovery experiment—not as bibliographic fact.

  1. 01 Central figures

    None extracted with sufficient confidence.

  2. 02 Central places

    None extracted with sufficient confidence.

  3. 03 Suggested argument

    Existing outside one’s mother tongue reveals language’s hidden systems of power and histories, showing how languages shape people who claim, reject, adapt, or romanticise them.

    Model confidence 62%

  4. 04 Reading orientation

    44 / 100 academic

    Trade / academic crossover

    An estimate of intended readership and scholarly apparatus—not quality or importance.

Confidence percentages are the model's own estimates. Profile confidence: 78%.