Arnold Schoenberg
Charles Rosen
In this lucid, revealing book, award-winning pianist and scholar Charles Rosen sheds light on the elusive music of Arnold Schoenberg and his challenge to conventional musical forms. Rosen argues that Schoenberg's music, with its atonality and dissonance, possesses a rare balance of form and emotion, making it the most expressive music ever written. Concise and accessible, this book looks at Schoenberg's ambiguous relation both to the central tradition of Western music and to the complex developments of modernism. Rosen analyzes Schoenberg's expressionist beginnings and how they relate in theory, performance, and musical experience to the system of atonality set forth in the music of Berg, Webern, and Schoenberg himself.
Award History
0 wins · 1 total
| Award | Year | Result | Category / Notes |
|---|---|---|---|
| National Book Critics Circle Award for CriticismMajor | 1976 | Finalist | Secondary source |
Experimental book profileGenerated by GPT-5.4 nano · may contain inaccuracies
This is an unverified interpretation of the catalog description, offered as an opt-in discovery experiment—not as bibliographic fact.
01 Central figures
- Arnold Schoenberg92%
02 Central places
None extracted with sufficient confidence.
03 Suggested argument
Rosen argues that Schoenberg’s atonal, dissonant music achieves a rare balance of form and emotion and is thus the most expressive music ever written, while relating ambiguously to Western tradition and modernism.
Model confidence 78%
04 Reading orientation
68 / 100 academicAcademic
An estimate of intended readership and scholarly apparatus—not quality or importance.
Confidence percentages are the model's own estimates. Profile confidence: 74%.