Against Memoir
Michelle Tea
The PEN Award-winning essay collection about queer lives: "Gorgeously punk-rock rebellious." —The A.V. Club The razor-sharp but damaged Valerie Solanas; a doomed lesbian biker gang; recovering alcoholics; and teenagers barely surviving at an ice creamery: these are some of the larger-than-life, yet all-too-human figures populating America's fringes. Rife with never-ending fights and failures, theirs are the stories we too often try to forget. But in the process of excavating and documenting these queer lives, Michelle Tea also reveals herself in unexpected and heartbreaking ways. Delivered with her signature honesty and dark humor, this is the first-ever collection of journalistic writing by the author of How to Grow Up and Valencia. As she blurs the line between telling other people's stories and her own, she turns an investigative eye to the genre that's nurtured her entire career—memoir—and considers the price that art demands be paid from life. "Eclectic and wide-ranging...A palpable pain animates many of these essays, as well as a raucous joy and bright curiosity." —The New York Times "Queer counterculture beats loud and proud in Tea's stellar collection." — Publishers Weekly (starred) "The best essay collection I've read in years."
Award History
1 wins · 1 total
| Award | Year | Result | Category / Notes |
|---|---|---|---|
| PEN/Diamonstein-Spielvogel Award for the Art of the Essay | 2019 | Winner | Secondary source |
Experimental book profileGenerated by GPT-5.4 nano · may contain inaccuracies
This is an unverified interpretation of the catalog description, offered as an opt-in discovery experiment—not as bibliographic fact.
01 Central figures
None extracted with sufficient confidence.
These suggestions did not meet the normal display threshold and are more likely to be wrong.
- Michelle Tea62%
- Valerie Solanas43%
02 Central places
None extracted with sufficient confidence.
03 Suggested argument
No argument inferred with sufficient confidence.
04 Reading orientation
35 / 100 academicSerious trade
An estimate of intended readership and scholarly apparatus—not quality or importance.
Confidence percentages are the model's own estimates. Profile confidence: 55%.